墨西哥超现实吸血鬼片,导演Juan López Moctezuma是JODOROWSKY大师的好友,曾经参与杨大师多部经典CULT片的拍摄工作。A beautifull artist (Cristina Ferrare) moonlights as a vampire while in Mexico, killing lovers of both sex. It seems that the only person who has any chance of stopping her reign of terror is her father (John Carradine), who's also a vampire. Model and future TV host Christina Ferrare is a lesbian vampire whose victims are dying to quench her thirst for blood. Mexican authorities and her father (John Carradine) try to come between Ferrare and her next target's neck in this horrifying shockfest.Juan Lopez Moctezuma's MARY, MARY, BLOODY MARY (1975) is one of those movies you watch and, after mentally cataloging all the things wrong with it, realize how cool it really is... mostly because of all the things you thought were wrong with it. Cristina Ferrare is such a Pamprin headache of an actress, as stiff as a celluloid collar, and yet she does create one of cinema's most interesting vampires. In many ways, Mary couldn't be worse at what she does - while the early murder of a man interested in more than her paintings goes off smoothly (Miss Thing slyly sliding a hairpin out of her chignon during female superior sex and using it to lay open his jugular), her next victim (a fisherman, whom she has attempted to drug) nearly fends her off until she takes him down in one of the most ungainly vampire attacks of all time.Elsewhere, Mary proves herself a complete chicken shit in moments of tension, as when she breaks down in big boo-boo tears when confronted on a country road by a mysterious figure clad in black. She's lachrymose, emotionally withdrawn, sexually disengaged and her art sucks... what a perfect portrait of an Ugly Americana spreading the white man's poison south of the border. It's in this context that the cheapness of the production, the harsh 70s decor, the cold, perfunctory performances and the wall-to-wall Muzak score actually begin to seem like grounded artistic choices and have a lot to do with why I keep coming back to this one.MARY, MARY, BLOODY MARY ends in a surprisingly cynical bloodbath of ultraviolence that leaves only the pathetic title character standing... or in reality on her knees sucking the life out of the one person whose love she had relied on to point her to some kind of normalcy. Not enough vampire movies use awkwardness and incompetence as character traits to define their bloodsuckers and that's too bad. George Romero had similar ideas for MARTIN (1976) a year later but portraying vampires as just folks is definitely the horror road not taken.
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故事中的主人公李博宇是一个有担当的父亲,他为了完成女儿高三前的愿望,带着妻子潘雁秋前往阿勒泰滑雪。然而,一场意外却带走了他的意识,同时也让潘雁秋做出了最艰难的决定。
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莫斯科行动看完了一句话总结就是给你的都给了标准的爆米花电影故事其实蛮复杂的但是呢他的剪辑和摄像还有那种做光或者调色方面啊差很多意思啊人物表演方面除了黄轩刘德华张涵予的话特别是一些配角之类的有点出戏所以导致这个电影整体看完不会感觉他特别优秀他就是一个徘徊在分至分的一个爆米花电影唯独比较优秀的地方就是他的那个一段又一段的那种高潮这也是香港电影蛮有意思的一个地方香港电影的话他会按照很标业的那种商业框架给你打邱礼涛这个导演他会给你
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《故事讲述了新之助,一个来自诺斯特拉达姆斯邻镇的平凡孩子,在和年夏天被一道白色的光芒击中,从而拥有了自己的超能力。他可以用这种力量让玩具漂浮在空中,让他拥有了一种不同寻常的生活。而另一方面,黑暗的守护者非理谷充也得到了强大的力量,他的目标是让这个世界毁灭。这个夏天,新之助和非理谷充将进行一场超能力的大决战,而最终的胜者将会是谁呢?
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本剧以唐朝敦煌为背景,讲述了安史之乱后吐蕃势力攻陷沙州的故事。虽然双方实力悬殊,但沙州军民仍然怀抱着对大唐的思念,最终发起起义,求援于名门望族张议潮。剧情紧凑,动作场面燃爆,特效华丽,让观众过足瘾。(分)