Maybe the most representative Mexican film at sixties Los Caifanes show us the Odyssey of a group of four humble Mechanical Workers and an aristocratic couple who became in their accomplice in spite of their differences, removed from a prototype of hippies the Caifanes represent a kind of urban gang who used to visit the Mexican Capital on weekends just with the purpose of feel their highest freedom.With collaboration of Mexican intellectuals Carlos Fuentes and Carlos Monsivais(as a drunk Santa Claus) Los Caifanes Joins not only in the film two opposite worlds but in their casting too, the rich ones Enrique Alvarez Felix and Julissa ,belonged to an Entertainment show business, son and daughter of two divas of the Mexican movies in the forties(Maria Felix and Rita Macedo respectively) and the other side the four Caifanes, Sergio Jimenez,Eduardo Lopes Rojas,Ernesto Gomez Cruz and Oscar Chavez all of them of the unknown university theatrical extraction same as their young director Juan Ibañez who gets of them one of the most convincing performance of a young casting in Mexican films. without being a great success los Caifanes gave a breathe to Mexican films which look new ways in that time full of rock stars singers and for the already weary rancher comedies.

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该片通过讲述樊锦诗院长一生守护莫高窟的传奇故事，展现了一个普通人的坚定信仰和执着追求，同时也展示了敦煌研究院几代人的智慧和努力。

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年一年级时买的盘，断断续续这个电影看了四年才看完。。。。。看到主演时，竟然发现ハウル的声优是木村！！！！！！木村大神，木村大神。他怎么会有那么美好的声音啊！！！！《美丽人生》时就觉得他是那么有魅力~~~多年后的《华丽一族》仍然觉得他才是日本的no，大神大神。谁敢跟喜多川老头叫板，也只有他了吧。

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“你知道什么是思念吗？是高山上盖庙还嫌低，是面对面坐着，还想你。”“知道什么叫挂念吗？挂念就是害怕，怕你过不好，怕你受委屈，怕你不回来。”元旦假期第一天看了刚上映的《非诚勿扰》，里面有非常多的台词都特别有意思。这部电影既是这个系列电影的结尾，也对第一第二部的剧情有一定程度上的呼应。片子以人工智能为切入点，在真笑笑与智能笑笑之间权衡，是葛优对笑笑的深切感情。就像他们海边聚餐时好友芒果说的，机器人再好那也只是人工设定的程序，不会生气没有任何情绪，是跟人类不一样的一种完全

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代表不了男性视角，也代表不了任何人的视角，只是刚好是男的，刚好是我自己，纯粹跟风“以女性视角看男导演的作品”的格式。至于标签里要不要加“悬疑”“惊悚”，作为观众看到的标签，我觉得不该加，这会不负责任的误导观众。但作为电影本身的艺术表达，我觉得“悬疑”“惊悚”二字贴切至极，当我们看完全片不知道谜底时，困惑一刹，瞬间发现这样的惊恐和未知就处在我们生活的过去现在与将来中，这才是最深的悬疑和惊悚啊。一、关乎审判。丈夫和妻子两个角色似乎形成了罗生门，活着的妻子想自证真相，死去